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"Eh?" says Lady Rodney.,"Sure of course," says Mona. "Why, I used to ride the colts barebacked at home.",The answer is so downright, so unlike the usual "a little," or "oh, nothing to signify," or "just when there is nobody else," and so on, that Geoffrey is rather taken back.,Mona calls off the dogs. They rise unwillingly, and, walking into a distant corner, sit there, as though still awaiting a chance of taking some active part in the coming fray. After which Mona, in a few words, explains the situation to Geoffrey.,"Oh, I dare say. Yes, sometimes: but—" she hesitates, and this time the expression of her face cannot be misunderstood: dejection betrays itself in every line—"but it is not so with you, is it? No aunt has left you anything?",Carthy, having by this time freed himself from Mona's detaining grasp,—who, seeing the turn affairs have taken, has clung to him with all her strength, and so hampered his efforts to go to his companion's assistance,—comes to the front.,I see a wild civility,,"Daisies pied, and violets blue,,That sinks again to silence.,Geoffrey coming to the farm somewhat early in the evening, Mona takes him round to the yard, where two dogs, hitherto unseen by Geoffrey, lie chained. They are two splendid bloodhounds, that, as she approaches, rise to their feet, and, lifting their massive heads, throw out into the night-air a deep hollow bay that bespeaks welcome.,"Well, at all events I shan't go one moment before I said I should," says Rodney.,"But why should night produce melancholy?" says Nicholas, dreamily. "It is but a reflection of the greater light, after all. What does Richter call it? 'The great shadow and profile of day.' It is our own morbid fancies that make us dread it.".